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The lens remains sharp wide open, and it handles highlights and busier backgrounds quite well, with a nice, neutral out of focus rendering with just enough energy to make things interesting.
I could see the Nokton becoming a go-to all-purpose 21, due to its flat field, and edge sharpness. I will be excited to use the lens at a concert venue when the opportunity presents itself.
In real world use not brick walls , I am not really seeing much barrel or pin cushioning distortion, but if anything, possibly a hint of barrel distortion?
Color drift does not seem to be a huge issue here, though I think I occasionally may be seeing a very subtle cyan shift in the corners.
I have detected negligible flare with the Lens hood employed, other than when the lens is shot into direct sunlight, wide open, an unusual circumstance, and even there, the flare is minimal.
Sun stars are quite pleasant when stopping the lens down. I do not see much, if any purple fringing in my experience. Highlights in low light circumstances tend to have subtle onion-skinning effects typical of many aspherical designs.
There also really does not appear to be much field curvature, making focus pretty predictable across the focus plane.
Vignetting, to me, is the primary issue, if you want to call it that. Keep in mind that I am shooting the lens uncoded, and some of this issue may be solved by coding the lens as a 21mm Summilux.
All of that said, I am easily able to correct vignetting with no obvious deterioration in image quality in the periphery of the image.
Out of focus rendering is, to me, a highlight. There are times, particularly at very close focus, where certain elements can be busy, but in general, you get adequate separation and out of focus due to the wide aperture, and out-of-focus elements, particularly in scenes where natural elements populate the background, are quite pleasantly rendered.
Foreground-to-background separation, when the lens is shot wide open, is pleasant, and elements in focus are well defined and can pop from the background, akin to the effect that we expect from many Leica lenses.
To me, this property makes modern Voigtlander designs, including the 21mm Nokton, and 35mm, 40 and 50mm Nokton lenses standout from their predecessors.
They really render a image with depth and dimensionality. There are very few pitfalls, and many, many pros to using this lens.
If you have an interest in exploring the 21mm focal length, the Nokton offers you a very capable option in which to expand your creativity.
I found that the 21mm Nokton forced me to use it. Time and again, I came home with images with which I was incredibly pleased.
It has a lovely, balanced rendering. It feels confidently built and it is easy to use. IF you buy one, consider supporting Cameraquest.
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